Moon Mohairs

The girls knew that on the moon mohair sweaters were everywhere, sometimes folded and sometimes not, but in either case settled lightly on the powder and weighted with tear-shaped fishing sinkers so as not to rise, float out of sight.  Although moon sweaters ranged in color from bubblegum pink to peacock, the majority fell into the cheese color family-edam to jack, cheddar to gouda, and all the lovely yellows and oranges in between.  Weavers were, had always been, partial and wool providers made no bones about their bias toward all things mellow and ivory where the moon’s woolens were concerned.  But, generally, the sweaters the girls were most desirous of were out of sight, round the curve there, away from the light.  The coffee-colored cardigans with coffee-colored pearl buttons.  The midnight plum pullovers with low V-neck plunge!  The ebony shrugs saturated with onyx seed beads to replicate meteor showers on a black night. 

The girls coveted the sweaters in the keenest of ways, and they argued among themselves as to how they might successfully fold them into their private closets, wear them on their private backs and shoulders and breasts.  They possessed sweaters they could not live long enough to wear, even if they obeyed every rule, ate every right thing, moved every right muscle in just the right way, forsook games with the opposite sex (including the approaches to same, start ups, blast offs, entries and re-entries, hard and soft landings, all)-even if they gave up transportation all together, avoiding accidents by car, train, plane and bus, and lived in germ-free bubbles-these girls could not live long enough to wear them all.  It was scientifically impossible.  So, they wore what they could, often times two and three different changes between rising and noon lunch: a sweater to match the marmalade on a muffin at breakfast, another one, white, to post the letters at ten, and something pale blue for eleven.  Girls, all of varying heights and shades, some paler and frailer and others more robust and red.  Or brown and leggy.  Or twiggy and black.  They were, these girls, all of that and, additionally, every shade in between-both in skin colorations and eyes and mood.  Yet, in spite of all they had both in common and out of common-they, every one, coveted the moon mohairs on the dark side.

 In town on a June night, the mothers, talking with other mothers, would mention the past as if current gossip had lost all its juice.

The Ferris girl: You recall how it was when she come home . . . they would say and nod.

That second girl of Harriet Striker’s:  Turned Harriet’s hair plum’ white.

                             Did not.

                             Did so.

                             It was already there.

                             That was gray; now it’s white.

                             You are right about that, Berniece.  I’d forgot.

And the girl nobody could remember except that she had been Ellen’s only child:  There’ll be no grandbabies there . . .

                            What ever happened to Ellen?

                            Can’t say.

                            Don’t know.

                           Haven’t heard.

The strong possibility that they would come to no good if they ever set into motion any one of their plans for reaching the far side stared the girls in the face at every turn.  Blacked eyes and missing teeth with their coupon books in Safeway lines.  There was a big price to pay for a “pretty” you might not live long enough to wear.

And the mothers nodding agreements between themselves and eyeing their own, making connections that could come to pass:  You could wind up like Jenna Ferris.  That could be you . . .

The girls all knew it could.  They knew it the same way they knew there was magic in that ebony shrug showered with onyx , knew it like the moon’s pull on the tides, even when out of sight, when fully eclipsed by the earth and all things in earth and on earth and of earth, yet the tides move in and back out, rise and fall, riseandfall-they cannot do otherwise.  Same with the pull of those mohair sweaters upon the girls who don’t recall a mother named Ellen or her only child, a girl, floating just off the powdery surface on the back side of the moon.

10 comments so far

  1. Suzanne Francis on

    I read your comment on my buddy Pat’s blog and thought I would come over and pay you a visit. Very glad I did. I shall add you to my blog roll if you don’t mind.

    I am most impressed with your brilliant use of language in this story. It is beautifully imaginative.

    Suzanne

  2. lynn doiron on

    Your buddy Pat’s blog is the best! ptbertram.wordpress.com (if memory serves, which it often does not). I must figure out how to add names to the blog roll. Can’t be that difficult . . . (famous last words).

  3. Suzanne Francis on

    If you navigate to Pat’s blog when you are logged into WordPress, you should see a bar running across the very top of the window. In the far right corner there is a drop down menu called “Blog Info.” If you click on it, a menu will appear. “Add to blog roll” is the middle option.

  4. Bertram on

    You have a lovely way with words. Evocative, poetic. (I, on the other hand, seem stuck with those two words when I try to describe your work.) You seem to enjoy playing with color: I love your “cheese color family.”

    I added you to my blogroll.

  5. Bertram on

    I thought of a third word: lyrical. I hope I don’t insult you by saying your story reminds me of some of Ray Bradbury’s best. He also was lyrical and had a gift for words.

  6. lynn doiron on

    Strange, seredipitious moments today. Earlier Suzanne mentioned migraines and glutens and diet changes that finally leave her headache free, and I . . . just yesterday, began my Paleo Diet (which excludes all grains). Very small thing. Very small. Then you mention Ray Bradbury and I met him for the first time last June when he signed books after his keynote address at the Santa Barbara Writer’s Conference. Prior to that time, I had only read his Zen of Writing (on writing; as with Stephen King, I have only read his On Writing on writing).

    After the conference I read Bradbury’s collection of short fiction and was deeply regretful for having waited all these years to enjoy his imagination and poetic way with imagery and words. Which brings me around to your worry re: insult . . . ? The absolute opposite. The best of compliments. Thank you.

  7. Suzanne Francis on

    I did the Paleo diet for practically a whole year. That is how I got off wheat! It is awesome, the best dietary regime ever. I still use a modified version. Do you know about http://www.cavemanforum.com? It was such a big help for me.

  8. lynn doiron on

    About four years ago I did the Paleo diet for maybe a half year; I felt better, mentally, and had more energy. No idea why, but “feeling better” + “added energy” always seems to be my ticket to slide.

    Looks like a great site. Thanks for the link. I checked out some of the recipes and also the exercise journals and forums. I’m gonna try that homemade mayo recipe.

  9. Bertram on

    Lynn: Talking of serendipitous moments — in your review of my ABNA entry, you mentioned that the fiance reminded you of Bill Pullman in Sleepless in Seattle, which was entirely unintentional on my part. But the hero of my book “A Spark of Heavenly Fire” was based on Bill Pullman from “While You Were Sleeping.”

  10. lynn doiron on

    This is getting serendipity-er by the moment. Now I must read some Spark to see if I see Bill, too. This is fun. Have been ghost-story writing this a.m. Why I put that here, in this thread, I do not know. Except, perhaps, I had this theory that one of you might be encountering ghosts in your plots as well?


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